This guy genuinely cared about his friend, and was his reality check most of the times.
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He gets the best lines in the movie and left the audience in splits. Other things that stood out in the film:ġ) Apoorva! This guy rocks. This is an intriguing movie that got mired in the method of making. Never once did the proceedings drag, never once did I restlessly check the watch. Were the dialogues really written in the 80’s? And no one bothered to modernize them?Īll I can say that is that this wasn’t a boring film. It had so much potential and it’s baffling how someone can get something so wrong sometimes. He sees her in them, and gets comforted at their sight. But how the same flowers also cost him his life has to be seen on screen. From then on, he has a new found meaning for those flowers. Aarav first sees Vasudha when she’s setting a bouquet of Arum Lily flowers. It does get over-the-top in some places, but it serves an important thread. But I enjoyed the way it was done in this movie. But lays his soul bare wherever required.įlowers being used as metaphors for a woman is nothing new. Emraan, in particular, shows amazing restraint. The same goes for Emraan Hashmi and Rajkumar Rao. She is relegated to a crying mess in the second half but she shines nevertheless, adding layers to an otherwise poorly written character. Vidya Balan again proves why she rules over anyone when it comes to sheer acting prowess. Almost all of the characters walk away with their heads high. It sounds pristine, and wonderfully complements the emotions on screen. Right from the very first frame till the end, the music never leaves hold of you. The songs and the background score in particular are what salvage this film. It’s a given that any Mohit Suri film is gonna have good music. Looks like I have more problems with the movie than what I’d thought when I’d started this. And the less talked about Saanj, their son, the better. Hari, her husband, is your quintessential misogynist. Yea, thanks for spoon-feeding that as well!! Vasudha is the damsel in distress. So the first thing you hear about Aarav (Emraan) is that he’s the most eligible bachelor in the country. Weren’t we past cookie-cutter characters yet?Įach one of the characters is typecast. You start to think even for one second, the plot holes begin to stare right back at you. A lot of things don’t make sense, for eg. Vasudha’s husband writing down stuff in his diary what he couldn’t possibly have known.
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No one can read the story from beginning to end and go, “Wow that’s a real tight screenplay.” Indian movie audience are used to cinematic liberties, but this one just gives it a free hit. I want to see the bound script of this movie, please? If there had been any, that is. I appreciate the shunning of Hinglish, but does it have to be so gratuitous? So the youth will definitely not be able to connect with anything either Vidya or Emraan are uttering. Like these people are reading lines from a bad soap opera. I mean I can understand one reflective observation once in a while, but when the entire film reeks of “supposedly” poetic dialogue, it’s just too much to handle. I mean, seriously, hadn’t the director thought for one second that this movie was a tad anachronistic? Though I’m just being polite here, it’s more than a “tad”. Why do people talk like they’re characters in an 80’s novel? Seriously, the number of times I’ve felt that that a dialogue was just over-the-top is astounding. The writers are pretty much like, “Want to know what this character might be feeling inside right now? Let us put that in a dialogue for you!” With this movie, you never have to think too much. I don’t like to be told what I’m supposed to be feeling. Whatever happened to subtlety? I want movies to give me the chance to unravel the characters and their thoughts by myself, by reading the expressions on their face. Yes, this is an issue that plagues not just books but movies as well. I have a big problem with movies that decide to tell rather than show the story. What the movie gets terribly wrong though, is in the way it tells the story. Vidya Balan and Emraan Hashmi pour their heart and soul into their roles and I might have just developed a new-found appreciation for Emraan as well. The emotion is all there, with all its intensity. HAK has its heart in the right place and tries to tell a very poignant tale of forlorn love.